My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
I wonder what the practical limit is on how thin and light you can make concrete for non-structural items? I can see someone selling concrete mugs on Etsy, for example. Maybe with clever use of fillers and thin walls you could have a version of this you could actually lift. It looks great, especially in contrast to a white IKEA-style office.
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
Same method though. There's a plethora of vibrating things to choose from. I suppose you could mold a large silicone tentacle to put on a jackhammer, too, and use that to fish for bubbles in your cement soup. Call the tool what you want, you haven't changed the method.
I love concrete as a medium but that's got to be heavy af and I would manage to smack my elbow on it all the time as well as smash my coffee mug on it.
This is pretty cool looking, I like it, it must be really heavy though.
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
Yes, Sam is probably just having a bit of fun here, but I think it's worth presenting brutalism correctly as it's often so misunderstood.
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
> cold, unnatural and broken, definitely not what brutalist living is about.
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
My subjective appreciation of building materials depends essentially on how gracefully they age. I find that concrete does not age well... and dislike brutalism for this specific reason.
My favorite map is ‘One Need Not Be a House’ by Robert Yang, which was inspired by Louis Kahn's "brick brutalism" masterpieces in Bangladesh and India, as well as contemporary level design like The Silent Cartographer. The artist writes about their process on their blog post, https://www.blog.radiator.debacle.us/2026/01/one-need-not-be...
The map jam is standalone and uses custom assets so you don’t need a copy of Quake to enjoy it. Check the website for the ‘standalone’ variant.
Sorry for derailing! Cool laptop stand!
I've been looking and looking, but the best I can find is using a narrow keyboard with a separate number-pad only keyboard on the left. I'm in the US.
(It's better for your right shoulder to keep the mouse closer to your body like in the picture.)
Re: decay, I regret not taking more photos of the final days of the RBS "Ziggurat": https://www.edinburghlive.co.uk/news/edinburgh-news/stark-ph... ; at the end it had plants growing from much of the upper levels, making it look extremely Horizon Zero Dawn.
https://www.amazon.com/s?k=concrete+vibrator
EDIT: https://store.steampowered.com/app/870780/Control_Ultimate_E...
> For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.For a medium-sized piece like this, a vibrating dildo is actually the best thing to use. Just think of it like any other power tool.
I used work on foundations for warehouses, huge concrete blocks as anchor points and this is exactly how we got the bubbles out, we had a huge metal vibrator they call them high-frequency concrete pokers.
Concrete is simply the mass production medium of the time, many of the patterns and moulds used in Barbican for example feature pretty timber imprints, scalloping patterns, painstakingly pick-hammered textured panels, or pleasing swooping shapes.
Further there is always space for glass, brass, Terrazzo and lighting.
Sam's design does feel cold, unnatural and broken, definitely not what brutalist living is about.
https://www.theguardian.com/artanddesign/gallery/2016/feb/22...
https://www.structuralrenovations.co.uk/portfolio/barbican-e...
https://www.barbicanliving.co.uk/barbican-story/construction...
This can often be the actual experience of it, though. Part of why it's so divisive. Personally I'm on the "looks great, wouldn't want to actually live there" side.
The Barbican is an example of how good it can be when properly maintained by a community. There are plenty of less prestigious examples where the community cheered their demolition.
Imo brutalism is monolithic and unyielding. This is opposite, with the sturdy concrete yielding into plant overgrowth and exposed rebar.
I appreciate++ the design except for the too-perfect rebar and the exposed wire directly _in_ the concrete. Pros would use a conduit methinks.